EPIC LAWS OF FOLK NARRATIVE
Axel Olrik. "Epische Gesetze der Volksdichtung." Zeitschrift für Deutsches Altertum, Vol, 52 (1909), 1-12.
The Law of Opening and Closing (Folk narrative does not begin with sudden action or end abruptly)
The Law of Repetition (Events are repeated, often 3 times)
The Law of Three (Things come in threes)
The Law of Two to a Scene (Each scene will contain only two speaking characters. Any other characters present will remain mute.)
The Law of Contrast (Folk narrative loves contrasts: weak & strong, poor & rich, man & monster, good & evil)
The Law of Twins (Folk narrative is fond of twins, however, if they play a major role, they will probably be subject to the Law of Contrast [one bright, one gloomy])
The Importance of Final Position (The youngest son will have our sympathy, the last test will be decisive)
The Law of the Single Strand (Folk narrative follows one temporal strand of action. It does not shift scenes to follow parallel actions)
The Law of Patterning (Repeated scenes will be as similar to each other as possible)
The Use of Tableaux Scenes (Certain moments of folk narrative evoke a strong visual image.)
The Logic of the Sage (Folk narratives find their plausibility not in their sense of reality, but in a certain internal narrative logic)
The Unity of Plot
The Concentration on a Leading Character